LCM240-E
Overview >>>
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Centered on a 10-bit wide gamut IPS panel, OSEE LCM240-E is designed for post production. The LCM240-E displays DCI-P3, REC 2020 and REC 709 color space. The monitor accepts two SDI inputs; one HDMI input and loop out on each SDI respectively.
Undergone rigorous calibration by Calman in house the LCM240-E is capable of rendering accurate color. The LCM240-E brags to have a nearly 100% DCI-P3 color space, and its wide color gamut allows you to make full use of your camera’s wide gamut without clipping. |
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The LCM240-E is integrated with 10 pre-loaded camera de-log LUTs and can display correct video that is shot in log thus avoiding the flat images. In addition the monitor is also pre-loaded with 4 film stock LUTs that can be replaced by User LUTs at customer’s discretion. The LCM240-E provides variety of tools to help you assure you have perfect exposure setup. False color, Zebra, and Waveform (Luma, RGB Parade and Histogram) are major means to help set your exposure properly. |
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The LCM240-E can properly restore the video shot by anamorphic lens. It can work with a camera without internal anamorphic de-squeeze to support 1.3x and 2x anamorphic lens.
When in the studio production or on DIT cart, OSEE LCM240-E is equipped with sun hood with 4-side enclosure to best eliminate the impact of ambient lights and for ease of use on DIT cart the monitor can also be run on battery either on V-mount or AB mount.
When in the studio production or on DIT cart, OSEE LCM240-E is equipped with sun hood with 4-side enclosure to best eliminate the impact of ambient lights and for ease of use on DIT cart the monitor can also be run on battery either on V-mount or AB mount.
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>>> Download Brochure
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>>> Download User Manual
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Model: LCM240-E Display: 24-inch, 1920X1200 Brightness: 250nits Color Gamut: Nearly 100% DCI-P3 Video Input: 2-SDI, 1-HDMI Video Output: 2-SDI |
Testmonials
'Since we were looking for a color accurate reference monitor for our editing purposes we decided to check out the OSEE LCM240-E monitor. And what you get is a great monitor for its pricetag. You have five function buttons on the front for functions you want to use more often, like waveform, vectorscope or false color. And of course you can deep dive into the menu for more accurate user settings like RGB channels, contrast or saturation.
With accessories like a v-lock-plate and both SDI and HDMI inputs you also have the ability to bring the monitor on set and display your camera signal - with the inbuilt LUT ability you even can show a pregraded image which is super nice for your client on set.
If we were back on that point we definitely would go with OSEE again and we are happy to have OSEE supporting us! That is even quite nicer than the monitor itself! You can chat with the team, bring your own input and they’ll discuss it with the tech department to bring the development of their products forward. '
——Maurice Rueckert
With accessories like a v-lock-plate and both SDI and HDMI inputs you also have the ability to bring the monitor on set and display your camera signal - with the inbuilt LUT ability you even can show a pregraded image which is super nice for your client on set.
If we were back on that point we definitely would go with OSEE again and we are happy to have OSEE supporting us! That is even quite nicer than the monitor itself! You can chat with the team, bring your own input and they’ll discuss it with the tech department to bring the development of their products forward. '
——Maurice Rueckert
Specifications >>>
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Display
Size: 24" Resolution: 1920×1200 Aspect Ratio: 16:10 Color Depth: 1.073G Brightness: 250nits Contrast Ratio: 1000:1 Backlight: LED Viewing Angle: 178°x 178° |
Input
3G/HD/SD-SDI: BNC×2 HDMI: HDMI×1 Output 3G/HD/SD-SDI: BNC×2 Audio Internal Speakers: Stereo Phone Jack: 3.5mm Mini-Jack |
Control
Ethernet: Ethernet (10/100M adaptive RJ45)×1 Power AC In: 100-240V 50/60Hz DC In: 12-16.8V Power Consumption: 63W |
Specifications are subjected to change without notice.
