Osee T7 7'' 3000nits HDMI On-camera Monitor
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Overview
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Model: T7 KIT Display: 7-inch, 1920X1200 Brightness: 3000nits HDMI: HDMI In&Out Audio: Speaker, Headphone (3.5mm Mini Jack) Power: DC IN, Battery (SONY NP-F) |
Key Features
Ultra-brightness
Osee T7 monitor has ultra-high brightness, the super 3000 nits screen is almost 6 times the brightness of other field monitors. It allows you to shoot outdoors in direct sunlight without any washing-out of the image on the screen. With osee T7 monitor, there's no need of sun hood anymore, hence the restriction on viewing angle is freed.
Convenient Zoom & Pan
With single joystick operation, zoom and pan is easy at hand, scroll the joystick up, to zoom-in the image by 2x or 4x; and during zoom-in mode, press the joystick, you can easily pan the image in up / down / left / right directions freely.
Scene Switch
One of the most merits that osee T7 can provide is the great convenience of scene switching, cinematographer can create up to 8 scenes, and up to 8 image tools can be added in each scene, so frequently used features can be preset in advance, then you can just switch from one scene to the other when shooting in different conditions!
Anamorphic
Osee T7 monitor can properly restore the video shot by anamorphic lens. It can work with a camera without internal anamorphic de-squeeze. It supports 1x,1.33x,1.5x,1.66x, 2x and 2x mag anamorphic lens.
Durablity
With a built-in aluminum sheet, Osee T7 is durable enough while embodied in polycarbonate structure, the goal is to make sure that T7 can provide steady work even in motions or extreme conditions.
Image Tools
CrossHatch
From 2x2 to 9x9, crosshactch can help the cinematographer compose an ideal framing the quickest way possible.
Super False Color
Osee T7 monitor supports more powerful Super False Color mode, including under-exposure / over-exposure / 18 degree grey / skin tone indications, to help you get a correct exposure easily. The exposure indications are calculated for different cameras, there are 16 different log curves including SONY S-Log2, SONY S-Log3, Panasonic V709, ARRI REC709, RED LOGFILM, RED RG4, etc for you to choose.
Level-adjustable Zebra
Zebra helps you expose your image properly by displaying a stripe pattern over a specific brightness (IRE, value) range on your image. This is useful for essentially setting exposure ‘boundaries’ typically for highlights, its level can be adjusted from 1 to 100.
RGB 3-color Focus Assist
Outlining in White, Red, Green or Blue at the edge of shot objects can efficiently help you confirm if your focus is right on the target, you can choose whether to turn on the B&W Background function, also the sensitivity is adjustable from 1-10.
Built-in 3DLUT
Osee T7 monitor provides 33 kinds of De-log 3DLUTs, including S-log 2/3, V-log, C-log 1/2/3, Log-C, J-log1, Redlog,BMD, FujiFilm, GoPro, DJI etc, to convert log mode to REC 709 for all major cameras. To further enhance color brightness and clarity, Osee T7 supports High Dynamic Range (HDR) to help make images more detailed and realistic.
User Upload 3DLUT
Cinematographers can also upload user creative 3DLUT cube or calibration 3DLUT cube to T7 monitor by SD card. T7 supports 17^3, 33^3 and 65^3 cubes. Max 16 user 3DLUTs can be restored.
Full Professional Video Analysis
T7 has full professional video analysis tools including waveform, vector scope, histogram and audio level meter to help our user to analyze their video, and with image re-size tool together, you can put these analysis charts and the image together for a clear comparison to see which parts or parameters need to be adjusted.
Monitor Kit
Reviews
'I just got mine and it is definitely one of the best evolutions in camera technology. The built-in peaking and focus assists are superb, at 3000 NITS this displays exposure correctly (some high bright monitors blow out the exposure, thus showing you the wrong exposure, this one does not do this); The battery compartment is secure and VERY easy to insert/eject the battery; It shows battery life remaining in voltage.'
———--Nick Lam
'I just got mine and it is definitely one of the best evolutions in camera technology. The built-in peaking and focus assists are superb, at 3000 NITS this displays exposure correctly (some high bright monitors blow out the exposure, thus showing you the wrong exposure, this one does not do this); The battery compartment is secure and VERY easy to insert/eject the battery; It shows battery life remaining in voltage.'
———--Nick Lam
’It’s going well. I’ve used the monitor a few times so far, and it’s been excellent. Two of my ACs have really enjoyed it.’
————Robert Del Tour
————Robert Del Tour
Specifications
Hardware
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Display
SD Card Slot SD Card Slot: 3DLUT upload and Firmware Upgrade |
Input
HDMI: HDMI-A ×1 Signal Format: 2160P30/29.97/25/24/23.98 1080P60/59.94/50/30/29.97/25/24/23.98 1080i60/59.94/50 720p60/59.94/50 480P60, 576P50 Output HDMI: HDMI-A ×1 Audio: 3.5mm Mini Jack |
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Monitor Body
Weight(Bare Monitor): 438g Dimensions(W x H X D): 192.0(mm) ×116.3(mm) ×24.7(mm) Mounting Points: 1/4”-20 screw mount. 1x top and 1x bottom |
Power
Power Consumption: 16.2W Battery Plate: SONY NP-F, 6V～8.4V Input Voltage: DC IN 11~17V DC |
Software
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Monitoring Features
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False Color Log Curves
SONY LC709A, SONY S-Log2, SONY LC709, SONY S-Log3, Panasonic V709, Panasonic V-Log, BMD, BMD 4K, Canon C-Log2, Canon C-Log3, ARRI REC709, ARRI Log-C, RED RG3, RED LOGFILM, RED RG4, RED RL3G10 De-Log 3D LUTs
HLGto 24, PQ3Kto24, PQ10Kto24, ARRI Log C, BMD 4.6KFilm, BMD 4.6KFilm V3, BMD4KFilm, BMD 4KFilm V2, BMD 4KFilm V3, BMD CCFilm, BMD CCFilm V2, Canon CLog1Cine, Canon Clog2Cine, Canon Clog3Cine, DJI Phantom 3DLog, DJI Phantom 4DLog, DJI Phantom 4DLog Improv, DJI X5DLog, FUJI FLogFGamut Flog, FUJI FlogFGamut WDR, GoPro Protune, JVC JLog1 Daylight, JVC JLog1 Tungsten, Panasonic VLog, Red L3G 10RWG R1 V1.13, Red L3G 10RWG R2 V1.13, Red L3G 10RWG R3 V1.13, Red L3G 10RWG R4 V1.13, RED RedLog Film, Sony SLog2 SGamut_LC709, Sony SLog 2 SGamut_LC709A, Sony Slog3SG3Cine_LC709, Sony Slog3SG3Cine_LC709A |
Warranty
Warranty: 1 Year
Warranty: 1 Year
